These necklace pins are from September 2010. I like dual purpose pieces, and these pins that are also a necklace focal are some of the best I’ve made. I crafted the pins from sterling silver wire and Swarovski crystal beads; one represents a Bluebonnet and the other Queen Anne’s Lace wild flowers.
I’ve needed a hat stand for awhile now, mostly to block hats after I wash them. I decided to make one using a pretty block of spalted tamarind and some hanger wire so I could use it at the craft fair where I was selling all those hats I’ve made.
I wanted to just have the thick wire so that I could adjust the size based on the hat, but the hat looked a little strange with only vertical support. I added a spiral of aluminum wire, which helps the hat, but looks strange without the hat. Hm. It worked fine at the fair, but I will continue to fiddle with the form.
I did some experiments in button making in February of 2010, tiny silver buttons for my button-collecting Grandmother. One set fashioned from sterling wire, and the other set from silver clay and cubic zirconia, which can survive the firing temperature of the clay.
All the buttons have shank loops for sewing, rather than holes through the buttons. It was a fun project, and I think they came out interesting, although they are mostly for show. They are functional buttons, but not practical buttons.
I was tasked with making a trophy for a duct tape contest back in December of 2009. I found a block of wood from my stash, imbedded several hanger wires, then shaped them into a chalice.
I covered the whole thing in strips of standard duct tape, then forgot to take a final picture. Hm. When it was presented, though, it was deemed way fancier than the requester envisioned. That’s what happens when a crafter gets their hands on duct tape.
This throwback goes to September 2009, and makes me a little sad. I was fusing images into glass using fusible film printed with a laser printer. The film would burn off leaving the image in a sepia tone. The method only works with high iron oxide content toner, which of course is getting rare. I had to resource the transfer paper I was using twice, retesting each time the previous brand stopped making it. Then when I invested in a large stack of paper that worked, my printer died. I found a backup printer at a garage sale, but the print quality was poor. Investing in a printer that may or may not work was risky, and I wasn’t getting enough orders to justify the expense. So production stopped. The photo below is line art that I produced a batch of for my grandmother for a reunion. I also did portraits and sketches.
I was producing these from about 2009-2018.
Critters and Craft 