Textured Metallic Vinyl

I had my first encounter with textured metallic vinyl for my electric cutter. My youngest wanted new bookmark/ornaments for teacher appreciation week and I thought using the gold vinyl would look great for lettering and stars. I did look up what settings other crafters used to cut the vinyl so cut cleanly on the first pass (on my CRICUT air: Vinyl + setting and a deep cut blade. (Note: cutting cleanly on a first attempt with a new material is almost unheard of, it was a deceptive introduction.))

I find it easiest to weed the cuts (take out the bits you don’t want) using a metal pick, and then use a larger waste part as a sticky holder for the smaller fiddly waste parts.

Photo description: weeding gold-colored textured metallic vinyl with a pointed metal tool and a section of waste vinyl to hold the tiny pieces from the inside of letters

Weeding was a little fiddly, but not terrible. The terrible part came when I placed the transfer sheet on the cuts. The purpose of the transfer sheet is the hold the cut vinyl from the front so the nice layout is preserved and you can then move the cut vinyl to the final project location. Transfer sheets are usually clear sticky film with grid lines. The textured metallic vinyl doesn’t like to stick to the transfer sheet. It would much rather stick to my fingers or the pick or really anything other than the transfer paper.

Photo description: Textured metallic vinyl letter “M” stuck to my finger, Teacher gift project in the background

The first transfer was a complete disaster and I ended up with most of the letters stuck to my fingers and had to place each individual component onto the back of the printed circles by eye. It was readable, but not neat. I then took more time peeling off the backing paper, bending it sharply back, and using the metal tool to detach the letters.

Photo description: bending the backing paper sharply back and rolling it off the cut vinyl

The transfer sheet and vinyl didn’t stick well, but the transfer sheet loved the card stock and if I used any pressure at all, the top layer of the cardstock would come away with the transfer sheet. Ugh. I finished the rest of the lettering by very lightly touching the transfer sheet with its precious cut vinyl cargo to the cardstock to place the letters. It is one of the fiddliest craft things I have done. If I use textured metallic vinyl again, it will be large cutouts, rather than small letters.

The teacher gifts came out well. I designed the graphic to my youngest’s specifications in adobe Illustrator, printed on recycled card stock, cut the circles with a blue diode laser cutter, put the “from” information on the back with vinyl (this was the time suck), laminated the circles, punched a hole, and added a rainbow tassel.

Photo description: bookmark ornaments with rainbow circle and stars and the words “Thank you for a great year! 2026” created as teacher gifts (cut vinyl personalization on the back of the circles)

Second attempt

I tried again with the ombre brioche cowl, after I bound off my first botched attempt. This time instead of working from the inside and outside of the commercial pull skein, I divided the yarn into two nostepinne wound balls.

Photo description: center pull ball of yarn wound nostepinne style on a scale reading 35 grams
Photo description: center pull ball of yarn wound nostepinne style on a scale reading 34 grams

Because each ball will slowly change color as I knit, I marked ball “B” with a blue stitch marker so I could keep track of which one I was working with.

Photo description: blue stitch marker threaded onto the yarn of ball “B”

Brioche takes longer because each row is passed over twice: once to knit every other stitch, once to purl every other stitch, slipping the unstitched loops with an added yarn over, but I am quite pleased with the way the color changes play against each other in the fabric.

Photo description: brioche knit cowl in progress

Throwback Thursday: carved dog

In June of 2017 I did a small carving of a dog from a stick of basswood.

Photo description: wood carving of a dog laying stretched out

What I like about this carving is that from one side it looks like a lazy dog, but the back leg is not splayed. It is positioned under the body, ready to spring to action.

Photo description: underside of the carving, showing the back right foot tucked up under the dog

The quick brown fox would not jump over this deceptively lazy dog.

More Mistflower

The flower bed in the back yard where I put more of the Gregg’s mistflower filled dirt had sprouted the native flower, along with a bunch of oxalis.

Photo description: landscaping terrace full of Gregg’s Mistflower sprouts and oxalis

I’m rather excited to see what happens with this terrace. We won’t mow it, but let the plants continue undisturbed. My hope is that this will be a good location for the mist flower and we will be able to see the clouds of butterflies from our kitchen window.

Prickly pear sprout

When I was trimming paths in the woods I accidentally knocked a pad off a prickly pear. I stuck the broken pad, which had another pad growing off it, in a pot near a grow lamp inside. The secondary pad shriveled up, but a new bud started.

Photo description: prickly pear cactus pad with shriveled bud and new bright green bud

We’ll see how it does. If it grows and prospers I will look for a sunny place to replant it outdoors (which is the tricky bit on our yard.)