Inkle Loom part 1

I’ve been looking at Inkle looms on the internet since I made my first tablet woven strap. I was certain I could make one, but wasn’t sure if I would have the time. I found myself at the hardware store for sandpaper for a different project, so thought I would look around for Inkle loom parts. I walked out with a 1x12x24” poplar project board, 1/2” and 3/4” poplar dowels, a 6” carriage bolt, washers and wings nuts, oh, and the sandpaper.

Planning the design with pencil and string

I laid out the design by clasping the board between my knees and sketching with a pencil where the outer posts could go. I wanted a lap loom and thought it would be more stable with something to hold onto. I taped string where the warp threads would go to avoid interference between posts. Even though I intend on using it for tablet weaving, I included the heddle post in case I want to weave something that needs it. The outer edge I wanted to be wavy with an organic feel, rather than a straight lumber look.

Loom cut out

I cut the loom out using a bandsaw with a 1/4” blade. I made a base piece so I could stand the loom up on a table if I wished. I sanded all the edges with an orbital spindle sander to smooth out the saw blade cuts.

Holes drilled in the loom body

Using a drill press, I drilled 1/2” holes for the posts, and 1/4” starter holes for the slot for the tension post.

Sanding the tension slot

I cut the slot with a coping saw, but was conservative on the guidelines, and needed to do quite a bit of sanding so the carriage bolt would slide easily along the track. I rounded all the edges by hand with sandpaper as well.

To be continued.

Tablet weaving

I caved. I’ve been seeing bands made by tablet weaving for years, but didn’t see why I should expend the effort. It makes a strip of fabric, a small thing, what’s the point? Curiosity got the better of me, and I found instructions here to get started without buying anything. I made my “tablet” or cards from old UNO cards (we have SO many different decks), which conveniently are already numbered.

Tablet weaving cards made from an UNO deck

I used thin yarn leftover from several projects and two chairs spaced a distance apart to make the warp threads, knotted the end, then threaded them through the cards according to the directions.

Half of the tablet cards threaded with warp yarn

I used the back-strap method of applying tension to the warp threads, which means I attached one end to my belt, and the other to a stationary object. I experimented with: my toe, a door knob, and my steering wheel (when parked). When not weaving I used a cable needle (like a giant safety pin) through one hole to hold the cards together.

Starting weaving

To change the shed (which threads are on top or bottom), you rotate the cards forward or backward. This is absolutely brilliant, and a kind of weaving I can totally get behind. The possibilities for patterns are immense, the weaving goes quickly, and is done in less time than on a wide piece or a picked pattern. I definitely had learning woes, I thought I was weaving too tight, but I was actually too loose, but it was a worthwhile experiment.

Done weaving.

The ripples in my band are because I wasn’t tight enough with my weave. I knotted the ends and cut off the extra warp, then ironed the band. It isn’t perfect, but I want to do more. (I do need a better way of keeping track which way I turn the cards. Squirrel.)

Ironed band showing both sides

I have also added an inkle loom to my wish list, which would enable me to keep tension on the work at all times and not have to go looking for a stationary object.

Mohair fiber page

I finished my spun mohair fiber page. This mohair is from Rutabaga the Angora goat and is from her first shearing.

Mohair fiber page

I did a knitting swatch in stockinette stitch with a garter stitch border, crochet round, a minute weaver, and a nålbound swatch.

Information on each swatch written beneath the fabric

I’m calling it done.

The tapestry loom experiment provided valuable data: mostly that I don’t like to sit still and weave. After taking up space on my kitchen counter for many, many months, I finally decided to take it off the loom. It is a shame that I couldn’t bear making it into a scarf size; the fabric drapes beautifully and has a nice feel, but I truly could not face the project any longer. The killer was the loose stripes. My concept for the weaving was “identity crisis” and to show that I had two striped color schemes warring across the field of fabric. I intended to have several “loose” stripes instead of just two, but those two slowed my production to a near standstill. Once I decided to move on, the remaining stripes went fairly quickly. I removed it from the loom and let it rest for a couple weeks. Then I finished the edges by braiding the warp threads, weaving in the loose weft threads, and machine sewing a hem on the top and bottom.

“Identity Crisis” weaving cotton and acrylic

I do like the “war” between the color schemes, and I may cut down the very large (to me) tapestry frame to a lap size, but for now there are many, many portable projects to pursue.

Lake weaving

Spent another couple hours out at the lake. I spotted a different variety of grass by the edge and selected a few long strands near the mowed part to see how they behaved when woven. My weaving skills are still very rudimentary, however I’m learning so much about construction in experimentation. The basket started off as I’ve seen in pictures for twined baskets, but then when I started up the sides my spacing narrowed into more of a rough vase than a basket. (I will say that it was laid down many times for the baiting of the youngest’s hook.) I made fair progress and decided to continue the study at home.

Experimental weaving with lake grass

Since the weaving wanted to narrow, I went with it, changing the uprights to weavers, thus narrowing the number of uprights. When I was down to five uprights, I braided them to end the sculpture. (We are going to call it a sculpture since I tucked all the ends inside and it is non-functional as a vessel.) I also don’t speak basket, so my terminology leans to descriptive. (Even when I know the proper terms, though, they don’t always surface appropriately, so there we go.)

Woven lake grass sculpture study