Corriedale page

I did a fiber sample page for the Corriedale wool I’ve been using for teaching spinning. The woven sample is my best yet; I started the weaving with a pass of twined weft away from the edge of the loom. My weaving then stayed more even and consistent to the end, where I did another twined pass. The twining keeps the weaving in place better too, so I didn’t need to make knots. If I were making a piece that would see more action than laying in a book, I would secure the fringe better, either with more twined passes, or knotted or sewn fringe.

Photo description: clockwise from top left: 3×5 card with “Corriedale obtained from Mohair & More on Etsy, Huntsville, TX, spun on a drop spindle”; single ply on a paper bobbin; two ply on a paper bobbin; crocheted lace round; woven sample with two salvages; knitted sample with garter stitch edge; sample of un-spun fiber

Corriedale is very nice to spin, has a nice feel, but isn’t the softest. The blended dark and light fibers make it easier to see the twist, which is why I like it for learning.

Happy Surprise

I will be doing a spinning demonstration soon for a local founder’s day, and I thought I should really dress for the part this time. Fabric is crazy expensive, and as much as it saddens me to purchase costumes made from synthetics made in a foreign land, I did not have the time or resources to make all the pieces myself this time. I did not have high hopes for the online order, I have been thoroughly disappointed before, and it was in the plan to make modifications, but I was quite surprised when the garment arrived. Yes, it is made with synthetic fibers, but nicely, and well sewn. There were decorative pleats in the skirt that could actually be let down to give more length. And there were pockets. Yes, you heard me right, pockets. Proper, can-actually-hold-my-phone-without-falling-out, pockets. Color me impressed. I did take out the elastic on the arms, and let out one pleat to so the dress come closer to the floor (but not more since I don’t want to trip over it, but that’s it. No it isn’t authentic, yes, the re-enactors will have things to say, but it is much better than capris and a t-shirt, and I like the color.

Photo description: Green fabric with a pocket and decorative pleats that can give skirt more length.

Two to one

I have Frankenstein’d my shirts before, where I have two shirts with opposite positive attributes, so I combine them. Mostly it involves ripping seams, cutting, and sewing back together. I’m at it again. I found a printed tee that I liked the print and the message: “Keep going, just to see what happens” with singing dancing skeletons. But it is a “women’s” shirt, so has cap sleeves and a snug fit. Bah. I have an old shirt with lovely full sleeves, but a high neck and short body. Also Bah.

Photo description: Peach t-shirt with skeleton print and an olive green shirt with butterfly sleeves.

I like peach and olive green together, so I selected these shirts for tailor surgery. I ripped out the seams on the peach shirt, except for the shoulders, and cut a larger neck hole. I cut the sleeves and the hem off the olive shirt, and a two inch section of the body. I sewed the olive green strips into the side seams of the peach shirt to give it more ease, sewed the butterfly sleeves in, then used the olive green hem to edge the neckline.

Photo description: Printed peach tee with olive green butterfly sleeves, side gussets, and new scoop neckline.

I like how it came out. Before I had two shirts I would not wear, now I have one shirt I will.

Knitting WIP

I have two knitting works in progress. One needs a section ripped out, so is resting until I have the courage to tackle it, and the other I cast on several months ago, and am now circling back around to work on it. This is a fingering weight sweater (right? Crazy.) that I bought the yarn to support a cause, and determined I wanted to make my youngest an actual garment. The knitting isn’t hard, but it does take a long time. Izzy the cat appreciates it when I knit; I provide a long-term nap space.

Photo description: Yellow and Blue fingering weight yarn on Prym circular needles in the foreground; in the background a sleeping calico cat laying on my lap.

I am acknowledging that this will be an on-again off-again project as other shiny things distract me.

Testing

Photo description: One the left a rosewood ring distaff dressed with blended wool and a handkerchief, on the right a custom 3D printed drop spindle with a small amount of spun yarn.

The test of the new 3D printed spindle went well. I dressed my distaff with a locally obtained wool blend and took my new spindle for a walk. I dropped it twice on the asphalt to no ill effect. Hurray! This is the first time I’ve used this distaff for wool; I figured out how to use it when I needed to control flax roving, and it works just as well for wool. I’ve seen others wrap their wool roving around the distaff, which for me is maddening. As I draft, the fibers pull tight and lock in a spiral. By laying the wool out parallel to the distaff in small sections, and securing it with a handkerchief and cord, the fibers drafted easily off the bottom of the bundle. Nice.