Tag: weaving

Woven Tencel

On By CarynIn Craft

I was only able to get three swatches from my Tencel sample, knitted, crocheted, and woven. I wove this swatch on a Clover mini loom, with the warp doubled. To finish it I ran the warp back up through the weft passes. I like the edge the method makes, but I don’t like how wonky this piece came out.

Photo description: plain weave swatch made on a Clover mini loom with three ply hand spun Tencel yarn
Photo description: same woven swatch after blocking, but still wonky

I’m going to blame the spin on this one.

P.S. Sorry if you received this post twice by email. I usually schedule my posts about three days out, and I hit the wrong button, tried to retract it, and put it on the proper schedule. I wasn’t fast enough and the email went out. It bothered me to have this series of posts out of order, so I fixed it for the blog, but those emails may have a duplicate or not resend. Ah, technology.

Finishing: woven scarf

On By CarynIn Craft

The warp I prepared for a local kid’s event has been on my tapestry loom for awhile. I did get to use it as a demonstration, and was hoping to use it again, but it didn’t happen this summer, and I want to use the loom for something else, so I finished it.

Photo description: weaving finished on a tabletop tapestry loom showing the string heddles and twined first and last row

The edges were wonky, so I decided to run a row of coordinating crochet stitches along the outer double warp. It helped hide the contrasting weft and gave it a nicer finish.

Photo description: top edge finished with a row of single crochet stitches, bottom edge unfinished. Missy the dog in the background.
Photo description: finished scarf with knotted fringe and crocheted edges
Photo description: entire scarf laid out on the floor showing the strong warp color and a much more subtle weft color shift

I think it is interesting that even though the warp and the weft are visible in the weave, the warp color shift is much more prominent, I was hoping for an even split.

Fiber Page: Ramie

On By CarynIn Craft

I completed the fiber page for my spindle spun Ramie top fiber from Hearthside fibers. Ramie was pleasant to spin and has a cottony feel but with a long staple length. I experimented with three and four ply yarns.

Photo description: 12 x 13.5 inch fiber page with (clockwise) a sample of macrame on a bamboo stick, the card from Hearthside Fibers that says “Ramie Top Developed in China about 4,000 BC Non-stinging member of the nettle family”, paper bobbins containing single spun, 3-ply, and 4-ply yarn, finger woven sample, crocheted basket weave swatch, plain weave swatch, knitted swatch, unspun fiber in a clear topped drawer
Photo description: sample fiber page with the swatches flipped up to show the descriptions written in white ink on the blue card stock

Finger weaving

On By CarynIn Craft

I’ve wanted to try finger weaving since I heard about it on a Sprang group (it was misidentified as Sprang). In Sprang, there are no weft threads, the vertical warp threads are overlapped consecutively. In finger weaving the warp threads become the weft threads, similar to braiding, but with more threads. I watched video after video before I found this video showing the weaving going out from the center, which made sense to me, and seemed balanced.

Photo description: start of a finger woven band made from hand spun Ramie four ply yarn, anchored on a bamboo skewer resting on a spinning wheel
Photo description: weaving continues, the characteristic chevron pattern emerging
Photo description: the end of the weaving secured with two rows of macrame knots

I wasn’t sure how to end the weaving, I’ve seen some bands just knotted at the end, but I want to put it in my fiber book, so the finish needed to be relatively flat. I opted to run two rows of double half hitch knots along the angles of the weave, which I think came out complimentary.

Photo description: back of the weave, showing the back of the knots and the sewn hem at the top

This was an interesting exercise, and finger weaving is a nice addition to my craft repertoire. It is nice that it can be done by anchoring one end, rather than needing a loom, and it comes out thinner and more flexible than macrame. It is more interesting with multiple colors.

Examining Chain-plied yarn

On By CarynIn Craft

Chain-plying yarn takes a single spun yarn and makes a three ply yarn from one bobbin or ball. The spinner makes long chain links, like in crochet, but each chain can be the length of an arm. There is no waste as the yarn is always tripled to the end of the length. It is a very useful technique especially if the spinner wants to preserve a color gradient, or doesn’t want to waste any precious material dividing the ball into three and risking running out of one ball before the other two. It does leave its mark, though. Each chain has a bend of yarn, a hiccup in the twist of the ply. This is difficult to see in a finished piece, but in a half-woven swatch, the chain loop ends are more obvious in the warp.

Photo description: Ramie chain-plied yarn warped onto a Clover mini loom and done halfway in plain weave
Photo description: same picture, but with the visible chain bumps circled in blue, and one weaving error circled in red

These chain bumps are more of a concern if the weaver wants to leave a fringe. I wove in the ends and trimmed them. To fix the missed warp in the weave, I took a small piece of yarn and sewed it over the warp and tied it in the back.

Photo description: back of finished swatch showing trimmed ends and fixed warp
Photo description: front of swatch

The chain bumps are not readily visible in the end piece, but the edges are uneven, and I pushed the weft into the loops left by the loom, arcing the bottom of the swatch. Which is why I swatch, I learn so much from each piece.