This is another favorite jewelry project I made back in January 2010. I used silver clay, some with cubic zirconia inclusions, to make unique beads, created custom wire elements, small chain link florets, and built links with end caps and beads.
Photo description: custom silver necklace with unique hand made links and custom clasp
This necklace did not do as well in the Fire Mountain Gems contest, which disappointed me because I thought this one displayed more technical skill. In hindsight, that is probably why it didn’t do well, it isn’t something easily duplicated, so wouldn’t advertise their products to the best advantage.
In April of 2009 I made one of my favorite metal clay jewelry sets. Metal clay is fine particles of silver suspended in a medium to make it workable like clay. It is then fired in a kiln to burn off the organics leaving nearly pure silver in the slightly smaller shaped form, all without forging or soldering.
Photo description: silver clay pieces ready for the kiln. The cork supports burn away in the high temperatures.Photo description: after firing the pieces need to be cleaned with a brass brushPhoto description: fired metal pieces polished to a mirror finish by tumbling with polishing mediaPhoto description: custom metal clay links and clasps combined with sterling silver production elements and Swarovski crystal to make a necklace, bracelet, and earring set
The metal clay does give options for designs that are difficult to achieve with traditional gold smithing tools, but requires its own set of specialty tools like the kiln.
Back in February of 2009 I was doing glass fusing in a small Paragon kiln. I was experimenting with fusible glass paint, which is applied with a bottle fitted with a thin steel tube. Colored ground glass is suspended in a liquid medium and placed on the glass, rather than painted with a brush. It is an interesting technique and one that requires a steady hand, a pin to clear the nozzles, and a wipe to clear up the mistakes. I like that these pieces reflect my preference for the Art Nouveau style. After I fused the paint to the clear glass in the kiln, I mounted the glass on acrylic photo frames. (I don’t know why I went this direction, it seems counterintuitive to glue glass to plastic rather than just use a frame. I’m sure there was a reason.)
Photo description: two clear fused glass panels with red, orange, and white designs done with fusible glass paint
Photo description: witch’s costume with purple spiderweb cape, dress and cape hand sewn, hat purchased
I don’t know what possessed me to sew a kid’s costume when I had a new born, but I did in October 2008. This is the costume that made me realize that it is more expensive to buy fabric than to buy premade costumes. Was it well made and amazing? Yes, it was. Was the spiderweb themed purple sheer and coordinating black fabric so cool? Oh yes. Was it worn more than once? No. The dress was too small within a month, although the cape lived in the dress-up box for years. Was it worth the time and money? No, not for a growing kid. For an adult? Maybe, especially if it will be worn year after year.
Here is something from July 2008 that reflects most of the crafts I was involved with at the time: crochet, wire work, and glass fusing.
Photo description: copper and glass necklace from 2008
The rope was crocheted with copper lined seed beads (I think, I may have crocheted copper wire with clear seed beads, but the rope looks too even with a nice drape, which tells me I probably used silk cord, rather than wire, and the the copper color may come from a lined seed bead). I finished the rope with hand made wire cones and a purchased copper toggle clasp. The pendant is fused glass with a hand made chased copper inclusion in the shape of a four loop Celtic knot. I was experimenting with fused glass using a small kiln because I could set it up, let it run its program overnight, and check on it in the morning in my own time, very important when dealing with a young child and another on the way.
I attached the glass pendant using copper wire, and added five independent coils of copper around the rope. I must have done this for flexibility reasons, it would have looked better with a single longer coil, but that would have changed the drape.
These seed bead crocheted ropes do make me nostalgic for the times I could wear necklaces. They have a comforting feel in the hand.
Critters and Craft 