I picked up my knitting again and progressed a little farther. I keep telling myself that this is the worst bit, row-length-wise. I’m making a top-down cartigan with raglan sleeves, and across the shoulders, before the arms are separated from the body, the row has around 300 stitches and is increasing. I’m close to separating the sleeves and then I hope the work will at least perceive to go faster. I posted a couple shorts on YouTube of my real-time perl and knit. It is slow going.
I combined all the kitchen aids I’ve been making into a bundle to sell at a local craft fair. The produce bag is the packaging, and inside are two cotton washcloths, a dish scrubby, and a towel holder. I even did them in a variety of color combinations.
So I thought a rolled brim knit cap was some kind of knitting voodoo. I was looking up patterns to see how to do it. Y’all, it is just knit. Stockinette stitch, which makes the familiar v shaped stitches that we associate with knitting, is unbalanced and curls without a stabilizing edge (like ribbing). So the rolled brim is the natural state of a knit tube. Hm. So I tried one, and sure enough the edge curls. I even managed to do the crown of the hat in knit using seven decreases, then ran the end of the yarn through the last seven stitches and pulled tight to form a nice little rosette in the center. I threw some embroidery on to see how that went.
I used superwash merino sock weight yarn. I would do things differently next time, so I’m not going to write up a pattern. For posterity sake I’ll write down details, though. I used two size 2 circular needles; a slip, slip, knit decrease on each of the seven sections, sometimes separated by a row of knit; and attempted a stem stitch for the embroidery. The stem stitch stretches with the fabric, but I don’t like how it doesn’t make a continuous line. That might just need practice, though. I was hoping for more of a spiral on the top of the hat too.
I did a fiber sample page for the Corriedale wool I’ve been using for teaching spinning. The woven sample is my best yet; I started the weaving with a pass of twined weft away from the edge of the loom. My weaving then stayed more even and consistent to the end, where I did another twined pass. The twining keeps the weaving in place better too, so I didn’t need to make knots. If I were making a piece that would see more action than laying in a book, I would secure the fringe better, either with more twined passes, or knotted or sewn fringe.
Corriedale is very nice to spin, has a nice feel, but isn’t the softest. The blended dark and light fibers make it easier to see the twist, which is why I like it for learning.
I have two knitting works in progress. One needs a section ripped out, so is resting until I have the courage to tackle it, and the other I cast on several months ago, and am now circling back around to work on it. This is a fingering weight sweater (right? Crazy.) that I bought the yarn to support a cause, and determined I wanted to make my youngest an actual garment. The knitting isn’t hard, but it does take a long time. Izzy the cat appreciates it when I knit; I provide a long-term nap space.
I am acknowledging that this will be an on-again off-again project as other shiny things distract me.
Critters and Craft 