Throwback Thursday: wire snowflakes

In November of 2005 I made a wood and nail jig and produced several styles of wire snowflake ornaments.

Photo description: twisted dark blue wire snowflake with one branch replaced with a crystal bead
Photo description: twisted copper wire snowflake with crystal beads around the center and double the amount of wire
Photo description: twisted silver wire snowflake with a single crystal bead in the center

It is quite satisfying the number of permutations that can be achieved with a single jig just by skipping an element or doubling the wire or adding beads in different places. I did move away from the black velvet for photos, but was having trouble with white balance using the cream colored felt. Yes, I could break out Photoshop and adjust them to all match, but I think the varied backgrounds are appropriate for a Throwback Thursday.

I don’t have the jig anymore, but it was a simple affair with nails driven through 1/8” or 1/4” plywood. I didn’t make any more wire snowflakes after this round because it was a pain and a twisting nightmare.

Making things too hard

I excel at overthinking. I have gone through many contraptions to hold my full spindle so it wouldn’t skitter across the floor while I wound the yarn off into a ball. Before I headed off for a walk, I saw that I didn’t have enough fiber to last the walk, and I would be at the point I needed to wind off mid-walk. Throwing caution to the wind, I stuck a rolled up piece of card stock in my pocket and headed out. Within 10 minutes I had spun all my fiber and was faced with winding a nostepinne style ball without any of my spindle holding devices except my hands.

Photo description: winding camel fiber single ply yarn into a nostepinne style ball on a card stock tube from a drop spindle while walking the neighborhood, asphalt in the background

It turned out brilliant. I could rotate the spindle around the tube, keeping consistent tension by lightly gripping the shaft, and slowly rotating the card stock tube. I had been stuck in thinking that the spindle or bobbin needed to be set down in order to control the tension to wind off. I’m glad I broke through the “I have to do it this way” barrier, for this is now my preferred method.

So this is love

Knitting black yarn with black needles, oh my. I didn’t start off with this plan. I bought hand dyed eclipse themed yarn because it had my eldest’s favorite colors, then I had to get the smallest Prym needles, which only come in black. I get respite when the yellows and oranges pass over the needles, but the black on black stitches are done mostly by feel. This is my current forever project, because I can only knit during the daylight, and can’t be sleepy or have any alcohol when I’m working on it.

Photo description: black, orange, and yellow yarn knitted on black needles, sock in progress, toe up

There is a persistent meme in the crafting world that you only knit black yarn for those you love because the stuff is so hard to see.

Winding pause

I was winding my single spun camel fiber from the drop spindle to a nostepinne style ball, using my fishing swivel chain hanging from a wall hook when life interrupted. I put my makeshift nostepinne (rolled up card stock) onto the wall hook.

Photo description: drop spindle hanging from a wall hook with a partially wound ball on a paper tube on the same hook

It may have stayed that way for a week. May is a busy time. I did eventually get back to it and finish winding.

Photo description: wound ball of camel single spun fiber on a scale reading 42g

It is good to know that I can pause my winding in this way. Life interrupts frequently and my hobbies need to be able to be set aside for an unexpected moment.

Throwback Thursday: leather belt

Here is a throwback from February 2005. I carved a Celtic knot into a leather belt and dyed and finished the leather. I really enjoy leather carving, nearly as much as pyrography. The photo isn’t spectacular, but at least I moved away from the black velvet backdrop.

Photo description: black leather belt with a Celtic knot carved along the length, sitting on a sandy colored composite counter