My wrapping on a Turkish drop spindle is getting better. This is two plied soy fiber on a flexible filament 3D printed Turkish spindle that I bought at a fiber festival.

My wrapping on a Turkish drop spindle is getting better. This is two plied soy fiber on a flexible filament 3D printed Turkish spindle that I bought at a fiber festival.

I’ve finished spinning the singles for my soybean fiber. It has quite the halo. I think if I had used water to wet it as I spun, as is done with flax, it might have less fly away fibers. I’ll mark that as a future experiment.


Soybean fiber was developed by Henry Ford around 1937 in his push to promote soybeans in the marketplace. He also developed a soybean plastic and produced a limited number of soybean cars, with plastic body parts and soybean fabric door panels. The fiber is now gaining in popularity and obtaining soybean combed top for spinning is easy. It is also referred to as vegetable cashmere, which fits with that soft fuzzy halo I obtained with my yarn.
I have decided to name my 3D printed spindle design a “Phase Spindle”. It takes on many aspects of traditional spindle and tool design and combines them to increase the functionality. The barrel shape of this whorl-less spindle comes from the Scottish dealgan, and is used to create a center pull ball as you spin. Where the dealgan has a flat base, this has a point so it can be used as a supported spindle as well as a drop spindle. The head of the spindle has grooves to bring the yarn closer to the center of the spin and stabilize the spindle. There are two grooves so they work spinning clockwise or counterclockwise. The center of the spindle is hollow to reduce weight. As a bonus, the cavity is large enough to add beads if the user wishes to add weight to the spindle. The spindle is made of Tough Resin, which resists breakage when dropped, better than wood.
This project has been on the shelf for a while because I needed to reevaluate the head design. The printed spindle had a convex head, which didn’t give enough finger tip contact for flicking the spindle into action. I sanded each head into a straight to slightly convex curve to make spinning it easier.

One side of the spindle has the lovely chatoyancy created by the precise parallel lines 3D printers make, but the other side had artifacts from the support structures. I sanded these smooth and used a stencil that I designed and cut out of removable vinyl to paint on a moon graphic.

To seal in the paint and protect it, I finished each spindle with a double coat of micro crystalline wax. The wax helps enhance the color of the resin as well.

I quite like the way the moon graphic came out. As a bonus, I also have moon phase stickers weeded from the stencil.

Next task: packaging.

Thor the cat is really fascinated with spinning yarn. He is a good boy in that I tell him it isn’t his and he backs off, but he does try to get as close as he can. He is particularly tempted when I am spinning a drop spindle while seated.
Blocking a knit item really can work wonders. My Helix scarf increased in length about a third, making it a nice size. I’m glad I didn’t add on.


This could be my favorite piece of spinning and knitting that I’ve done. I started spinning the yarn about a year ago, and knitting it took me about a month. That being said, this was not my only project during that time. I call myself a serial crafter, but really I should consider the title parallel crafter. A parallel serial crafter. A craft dispatcher. Hm. This train derailed, but I’m glad the scarf made it to the station.