Ancient guardian armor

Yes, we are big fans of the video game Zelda: Breath of the Wild. When my eldest and I made a diamond circlet in May, she thought it would be awesome to have the ancient armor to go with it. She even did up drawings on how the pieces would go together.

My eldest’s schematics for guardian armor

I have been itching to experiment with EVA foam sheets and this was the perfect project to use them. We started construction over the summer, and I have to tell you that I love this foam. It behaves like thick leather, except you warm it with a heat gun and it becomes pliable and will hold its shape when it cools. It isn’t as tough as leather, but it is wonderfully light. To do the trim I purchased foam clay, which I also now love. The clay is very soft and has a long working time. We found that the best way to make trim was to roll long sticks of foam and let them dry. To keep the bottoms from flattening in the drying process, I constructed channels with poster board and lined it with wax paper to keep the foam from sticking. When the sticks were firm, I cut them lengthwise to make half round strips, then spray painted them. Light weight foam is difficult to spray paint as the force of the spray sends it flying. To combat this we used masking tape loops and short bursts of spray. My eldest used hot glue to apply all the trim.

Foam clay sticks drying in round channels made with poster board
Half round sticks prepped for spray paint

To make the blue lights on the armor we found a blue pill bottle and cut it in pieces with a band saw, then flattened the sections with a heat gun. Rubbing the sections with 400 grit sandpaper gave them a nice soft glow. The lights themselves are battery powered fairy lights that I hot glued to the inside of the armor. The lights on the hand pieces were a little trickier, as I needed to reduce the length so had to do some electrical soldering. In all, there are four battery packs in the armor, secured with wide elastic so the batteries can be changed.

Full size lights on left, reduced length on right

The armor pieces are connected with wide black elastic to give some flexibility and grip. The orange glow around some of the decoration was done with foam brushes; first white acrylic paint, then orange. If I were do do this again, I would paint the glow first, then glue the trim over the top. The shoes are my favorite part because I was able to form a proper toe shape with the EVA foam. We used some old canvas shoes as a base. I had plans to sew the undergarment, but my eldest wisely suggested clothing pieces that could be used again as … clothes. So the navy base layer is store bought shirt, leggings, socks, and gloves.

Ancient Armor costume modeled from the Breath of the Wild video game

Straps

My youngest wants to be Zelda from Breath of the Wild for Halloween, so we ordered her a costume. Well, while the dress is well made (especially for a mass-produced costume), it is a sleeveless dress. It did come with tiny clear straps that frankly don’t do much.

Costume base dress as shipped

So I ordered some gold chiffon and hand-sewed on straps/shoulder coverings not only to help the dress stay on, but to meet dress code requirements, should she decide to attend a school event. As long as I was at it, I also hemmed up the skirts since the dress was apparently made for someone 5’9”, which is unusual for a Hylian.

Dress with chiffon added at the shoulders and displayed with accessories

One done

I finished one of my buffalo down fingerless gloves. This is a waiting-in-the-car project, as I only work on it when I’m parked waiting for school pickup. I love the nålbinding Dalarna stitch because it is relatively simple and results in an even fabric (rather than distinct rows). The buffalo down I spun on a tahkli spindle is a two ply; the first glove uses yarn that was spun z and plied S. The yarn for the next glove was spun s and plied Z, so it will be interesting to get started on that and see if the behavior is different. The buffalo down is so fluffy, and I have no problem wearing it next to my skin. It is pricey, as each buffalo processed for meat only yields about four ounces of down. One glove used about a half ounce.

Fingerless glove made from hand spun buffalo down using the Dalarna stitch
Close up of fabric

Giant Flower Fly

Virginia Giant (Sorry for the fuzzy photo)

I was working in the garage when what I thought was a yellow jacket darted in front of me. My first move was to step calmly from the garage to let the insect get out, but it didn’t get out. It hovered midair, turning to keep its eyes locked on me. Hm. That is not yellow jacket behavior. So I circled it, and watched it pivot to continue to face me, round and round. My phone camera wouldn’t focus on the (relatively) small body, and I wasn’t moving closer without ID. It finally ran out of energy and settled down briefly. iNaturalist told me it was a Giant Flower Fly, and another user further classified it as a Virginia Giant. It uses its coloration to capitalize on the fear inspired by yellow jackets. It also does quite an effective job at intimidation with the bold stare and mid-flight menace. Eventually it left the area; I can assure you that there are no delectable flowers in the garage, so it was best that it moved on. But at least I don’t have to search the garage for a nest.

Fall sculpture upgrades

As I predicted, my meadow fall sculpture is a continuous project. I added iris leaves to the bodice, and pumpkins at her feet. She is now also bedecked with an antler crown from two of the smaller antlers I obtained this week.

Harvest sculpture in the meadow

The neighborhood cats find her fascinating as well, as they sit by her feet, or maybe she offers the only hiding spot in the open meadow! I was hoping to get a better picture of the white cat, but I moved wrong and she (?) took off.

Cat adding herself to the display